Ontology of Enyohu Artefact in Ebira Women Folk Performances in Central Nigeria
dc.contributor.author | Bello, Peter | |
dc.date.accessioned | 2022-04-12T13:56:03Z | |
dc.date.available | 2022-04-12T13:56:03Z | |
dc.date.issued | 2012 | |
dc.description.abstract | The significant use of artefacts as props in traditional performances is a common practice in places where oral culture thrives. It is an integral Part of indigenous African theatrical performances that conveys the symbolic account of a peoples' past and certain traditional values for which a given performance is constantly re-enacted and transmitted from generation to generation. Therefore, this research explores the existence and significant use of “Enyohu" artefact as a symbol of womanhood and virtues and as a component of performance among Ebira women folks. Hence, I appraise the symbolic place and application of "Enyohu" artefact as a symbol and prop in revitalizing Ebira cultural identity and virtues of chastity, modesty, poise / dignity, industry and resourcefulness among the women folk | en_US |
dc.identifier.uri | http://dspace.run.edu.ng:8080/jspui/handle/123456789/2267 | |
dc.language.iso | en | en_US |
dc.subject | Ontology | en_US |
dc.subject | Enyohu artefact | en_US |
dc.subject | Ebira women | en_US |
dc.subject | Folk performances | en_US |
dc.title | Ontology of Enyohu Artefact in Ebira Women Folk Performances in Central Nigeria | en_US |
dc.type | Book chapter | en_US |