Ontology of Enyohu Artefact in Ebira Women Folk Performances in Central Nigeria

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Date
2012
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Abstract
The significant use of artefacts as props in traditional performances is a common practice in places where oral culture thrives. It is an integral Part of indigenous African theatrical performances that conveys the symbolic account of a peoples' past and certain traditional values for which a given performance is constantly re-enacted and transmitted from generation to generation. Therefore, this research explores the existence and significant use of “Enyohu" artefact as a symbol of womanhood and virtues and as a component of performance among Ebira women folks. Hence, I appraise the symbolic place and application of "Enyohu" artefact as a symbol and prop in revitalizing Ebira cultural identity and virtues of chastity, modesty, poise / dignity, industry and resourcefulness among the women folk
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Ontology, Enyohu artefact, Ebira women, Folk performances
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