Hybridisation of Nigeria Christian Gospel Music: A Product of Multilateralism
| dc.contributor.author | Babarinde, Damilola | |
| dc.date.accessioned | 2022-04-08T13:03:24Z | |
| dc.date.available | 2022-04-08T13:03:24Z | |
| dc.date.issued | 2021 | |
| dc.description.abstract | The study interrogates the current hybridisation of Christian gospel music as a product of multilateralism. It outlines and discusses multilateralism that have suggested that some current gospel music are hybrid of gospel and secular music hence the hybridisation. Amongst our findings, it was discovered that gospel artiste and their styles, the emergence of “Avant Garde” churches, and disc jockey have all contributed to the hybridisation of Christian gospel music. The study concluded that, in as much as hybridisation of Christian is inevitable given the changing trend in the society (the Church inclusive), it should be allowed to operate under a new genre and not gospel musical genre. | en_US |
| dc.identifier.uri | http://dspace.run.edu.ng:8080/jspui/handle/123456789/2254 | |
| dc.language.iso | en | en_US |
| dc.publisher | AIPGG Journal of Humanities and Peace Studies | en_US |
| dc.subject | Hybridisation | en_US |
| dc.subject | Multilateralism | en_US |
| dc.subject | Gospel music | en_US |
| dc.title | Hybridisation of Nigeria Christian Gospel Music: A Product of Multilateralism | en_US |
| dc.type | Article | en_US |