Beyond Borders: Interrogating Ododo's Multidimensional Creative Enterprise

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dc.contributor.authorIwuh, John
dc.date.accessioned2022-05-20T09:15:38Z
dc.date.available2022-05-20T09:15:38Z
dc.date.issued2012
dc.description.abstractThe need to walk the broad spectrum of Nigeria's theatrical space was a clarion call to early theatre academics. The reason was due to the exigencies of local content needs facing the young theatre discipline. These early scholars were compelled to fill the gaps created by the shortage of personnel in certain core areas of the theatre. One of the areas greatly affected was technical theatre. Studies show that following their emergence however, the present crop of theatre technologists are not only technically multi-skilled but are also broadly academic; having conquered the dreaded technical area and faired no less in the other areas of performance studies. Sunday Ododo's quintessential stage designs best summarize the revolutionary pattern of the third generation of Nigerian designers. This chapter examines Ododo's multidimensional response to broad literary calls and performance needs, and which he subsequently approached with peculiar creative passion and insight. Included in this expose are the critical and technical readings of some of his outstanding stage engagements that worthily outline the brightly coloured path of a design academic.en_US
dc.identifier.urihttp://dspace.run.edu.ng:8080/jspui/handle/123456789/3149
dc.language.isoenen_US
dc.publisherAlpha Crownes Publishersen_US
dc.subjectCritical readingen_US
dc.subjectTheatre technologyen_US
dc.subjectDesignen_US
dc.subjectFacekueradeen_US
dc.titleBeyond Borders: Interrogating Ododo's Multidimensional Creative Enterpriseen_US
dc.typeArticleen_US
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